Hatsune Miku and Robin Medley MV Released
This MV pairs Hatsune Miku with a character from HoYoverse's hit game, bridging the Vocaloid and gacha music spheres through a medley of a classic Chrome commercial song and a new in-game single.
This MV pairs Hatsune Miku with a character from HoYoverse's hit game, bridging the Vocaloid and gacha music spheres through a medley of a classic Chrome commercial song and a new in-game single.
The release pairs BMSG's group with SALU, who moved to the label's Bullmoose Records last year and is set to appear at BMSG FES'26, marking a closer collaboration within the agency.
The first large-scale Shine Post live in three years now reaches fans who cannot attend the venue, with both days streamed online.
Aurora lands as the group's debut-year momentum peaks, with festival and award-show appearances booked through the fall, and the album frames their journey's first milestone.
The song is positioned as the bridge between the group's Akihabara origins and its current stage, and it lands two weeks before the September 19 Tokyo Gymnasium show it was written for.
The contest turns fans into producers for Tohji's final Tokyo Dome show, with winning remixes released as an album and played as BGM at the last live.
The anniversary is being celebrated with a full album slate, one per group, plus a new shared B-PROJECT song, rather than a single compilation.
The Nintendo Music drop is the first broadly accessible release of the Paper Mario score since the 2000 CD went out of print, a catalog gap that had pushed used copies to five-figure prices.
The collaboration puts Pokemon Sleep's soundtrack on a global streaming platform with Canvas visuals, extending the game's reach beyond the app as part of the Pokemon 30th anniversary push.
The Osaka-only festival's footprint extends to Tokyo as Meta Osaka positions Ikebukuro HUMAX Cinemas as the venue for fans who could not reach Zepp Namba last year.
The committee pairs PANDORA's IP and influencer management with Sony's XR tech, making the Saikyo Muteki Rengo live the first test of a new interactive event format.
The documentary and archive rollout give Prime Video the exclusive window on Arashi's final chapter, turning the group's end of activities into a streaming event.
The new release follows the July debut "777" and extends a project rooted in the Okinawan members' stance on peace and cultural inheritance.
The song turns the trio's collab group name into a release, and the dense reference work in the video marks the return of CHAD CAST after a 1.5-year gap.
The collection pushes Hatsune Miku merchandise beyond figures and apparel into audio gear, with the wired earphones as the centerpiece of a daily-use lineup.
The project shows that generative music can run entirely in the browser without AI inference, using music theory as the algorithm.
A promotional music video built around a full Bones animation production has held its audience for six years, reaching a view milestone most anime shorts never approach.
JISOO becomes the first HANA member to debut solo, releasing a two-track single on her birthday with Chanmina producing one of the songs.
The new song is positioned as the work that closes the band history of BOOM BOOM SATELLITES, arriving about 10 years after 'LAY YOUR HANDS ON ME' and the death of co-founder Michiyuki Kawashima.
The event's staging split DJs from illustrators and VJs across two floors and merged three live video streams in real time on GALLERIA PCs, a setup built to sustain six hours of nonstop drawing and playback.
A town of about 3,500 that previously drew 5,000 visitors keeps its festival free and hands creative roles to local students while booking established artists.
The single is Eri Sasaki's first release under 5pb. Music and opens the label's new musical development.
The second installment of a year-long collaboration between two Okinawa-born entities, with a third installment already scheduled for September 4, extends the partnership beyond a single commemorative can.
The debut brings P Maru-sama, whose "Sil Vu President" passed 100 million views on YouTube, into NHK's long-running song program, and marks her first lyric-writing credit.