The season is running long enough that episode 24 doubles as its twelfth entry, and the schedule now pauses a week before the finale date Lapin Track has fixed.
The event moves generative AI video from timeline scrolling to a theater screen, and the follow-up to the 2025 edition's 170 attendees is the clearest test of whether AI shorts are judged on storytelling rather than the novelty of their tools.
A film that never reached Japanese theaters despite its robot anime lineage and 1980s rock soundtrack is being positioned for the audience that grew up with the franchise at home.
The anime and game are pitched as two views of one shared history rather than a game adaptation, which makes the April 2027 broadcast the franchise's attempt to build a new timeline across two media at once.
The screening is the third special project for Tokyo Theatres' 80th anniversary, pairing a remaster of a 1991 film with the 35th anniversary of its release.
A four-month run that already passed 2.7 billion yen is being extended with premium formats built for repeat viewers, which means the film's theatrical life is being stretched past the point where a normal run would end.
The adaptation moves Carrie from De Palma's 1976 film into series-length television, with King himself backing Flanagan's reading of the story as one about social media rather than blood alone.
The wrap locks the production into post, and the name-heavy cast list Marks' post sits behind shows how much of the show's Japan-side weight now rests on a returning ensemble plus a new intake of established Japanese actors.
The SideM branch has been without a running game since Growing Stars ended service on July 31, 2023, so a film and a console title give the 315 Production roster its first new platforms in years.
The trailer locks the broadcast slot and confirms Studio Comet and director Shinya Une, which puts the adaptation on a fixed production track ahead of its October 3 premiere.
The goods and food details arriving days before the September 19 opening, alongside a five-day public broadcast that starts September 14, show the event spreading a two-day festival across multiple Shibuya venues and a full week of programming.
The reveal bundles the character visual, the episode 13 live scene that supplies the lower volume jacket art, and both disc prices into a single announcement, so the December 16 release now has its packaging and its stage footage settled rather than teased.
With the trailer, key visual, and cast now public and a Crunchyroll screening set for September 21, the production has moved into its final promotional stretch ahead of the October 2 broadcast debut.
Morimoto's death removes a voice that ran through Japanese television for five decades, from live-action drama to the lead role in one of anime's most scrutinized films and years of narration work.
The cour spent its run building toward the reveal that Tsukishima's past-altering ability, long a fan joke, is the mechanism that solves the arc's central problem, and the episode pairs it with Aizen's arrival.
The marathon hands viewers a full rewatch of two completed series plus the 33 aired episodes of the currently running one in the four days between the announcement and the film's opening, rather than after it.
The crossover footage puts three Precure generations in one film weeks after the Star Detective Precure! anime began airing in February.
The essay frames the series as an apocalyptic story where mundane routine, not spectacle, carries the emotional weight, and compares that approach directly to Evangelion.
Blizzard is moving its action RPG franchise to television through Netflix while the games themselves continue, with the animated series announced alongside Diablo V rather than as a substitute for it.
The chart shows long-running family and mystery staples still pulling the largest Japanese TV household shares while a feature-length anime produced for a cultural education slot lands near the bottom of the week's measured field.
The final two episodes of Bleach's last arc now land two weeks later than planned, and a recap run of four earlier episodes fills the gap on TV Tokyo.
The broadcast keeps the 2005 New Translation trilogy circulating on Japanese television two decades after its theatrical run, putting Yoshiyuki Tomino's reworked Zeta Gundam in front of a general audience rather than the disc market alone.
The installment continues directly from Episode 11, "Turning Point 4," and puts the series on the diary and future-warning material in the source novels.
A segment trailer released ahead of a November 6 opening shows JOEN and Aniplex rolling out Nishigori's three-part film story by story, with the premiere already behind it.