Tofubeats Announces New EP 'Angels On The Dancefloor'
The EP marks tofubeats' first original release in two years and continues his project of reviving the half-forgotten 'J-CLUB' genre with contemporary production.
The EP marks tofubeats' first original release in two years and continues his project of reviving the half-forgotten 'J-CLUB' genre with contemporary production.
Stable Audio 3.0 is the first open-weight music generation model trained entirely on licensed data that permits unrestricted commercial use, addressing a central legal and ethical dispute in the AI music space.
The release marks Matsumoto's third video work and her first photobook adaptation, showing her expanding her solo media output alongside her ring-girl duties.
The July 9 showcase is the brand's first public event, with Seo In-guk appearing in person and premium ticket sets offering autograph and photo session opportunities.
The cover feature and tour mark a mainstream media milestone for a group that helped define the 2.5-dimensional idol genre, a category that had few precedents at its formation.
The video ties a 50-year-old instant noodle brand to a 2007 Nico Nico Douga meme, bringing Hachune Miku back into official promotion alongside Crypton's full Vocaloid roster and an unexpected guest from VOICEVOX.
The personal disclosure from aiko turns a routine concert incident into a rare glimpse into the private family life of a major Japanese pop star.
The pricing undercuts typical premium concert packages, drawing attention as the group's farewell release.
The live event marks the first time Gakuen Idolmaster has held an in-person 3DCG concert, linking the game's new H.I.F scenario to a real-world stage where players could see their trained idols perform.
The return of Home Made Kazoku brings back a group whose anime theme songs were a staple of the 2000s shonen era, and their first live shows in a decade will test whether their audience has waited for them.
The death of EZFG removes a distinctive voice from the Vocaloid scene who built a following on fast, rhythm-driven songs and surreal video work.
The concert's streaming and VOD options extend access beyond in-person attendance, a common move for K-pop anniversary events.
The debut album consolidates Pxrge Trxxxper's position as a rising force in Japanese hip-hop, backed by a guest list that reads like a who's who of the current trap and drill scene.
The tour extends HYBE JAPAN's VR concert business into its 2026 scaling phase, following a 2024 pilot with TOMORROW X TOGETHER that posted a 99% customer satisfaction rate.
The signing is a concrete step into the US market for a group that formed less than three years ago and has no prior overseas label history, making the speed of the move the story.
ENHYPEN's triple crown at ASEA 2026 cements their position as one of the top K-pop acts globally, backed by concrete sales and streaming milestones that the awards recognized.
The release shows a VTuber bridging K-pop spectacle and nerdcore rap through a structured collaboration with both a fellow VTuber and a mainstream game-featured rapper.
The release closes a multi-year symphonic project that fused film scoring, folk traditions, and rock influences, and marks StarlightDaryl's debut as a vocalist on her own work.
The showcase tour extends BE:FIRST's international push into a second consecutive year, adding a New York date that was not part of their 2025 world tour.
The interview frames independence not as a lack of label support but as a deliberate choice to control one's own creative and promotional work, using TuneCore's MEDIA NETWORK platform to reach media directly.
The feature marks a moment of rising individual recognition for Yukino Karin, who credits a name change for improved luck and increased solo work, while her group RiNCENT# prepares for its first nationwide tour.
The concert's costume-by-costume structure made the singer's visual history the narrative thread, a format that turns a live performance into a retrospective of her career arc.
The show proved that a virtual singer's early online-only work can be translated into a physical venue without altering the original arrangement, while still demonstrating artistic growth.
The album is the label's first full-length release since renaming to Mugensho Record, marking a shift from EPs to a broader catalog for its VSinger roster.