Kyoto Animation has three active projects: the Netflix series Sparks of Tomorrow, which premiered on July 5, 2026; the recently concluded CITY: The Animation; and a 2027 film adaptation of The Credits Roll Into the Sea. The studio also participated in a Suzumiya Haruhi 20th-anniversary collaboration with JR Tokai running through September 2026.
Kyoto Animation's most recent major release is Sparks of Tomorrow, a television series that premiered on Netflix on July 5, 2026. The project was shelved after the 2019 arson attack and marks the studio's first major anime series since that tragedy. It is directed by first-time director Minoru Ota and produced by Satori Senami. The series is set in an alternate-history Meiji-era Kyoto and follows a clumsy girl and an inventor in a steampunk world. The opening theme "Eureka Evrika" is performed by Luna Goami and was composed by Hitomi Koto, who also handles the series' soundtrack. The ending theme "Soarin'" is performed by Ginger Root, the solo project of Cameron Lew, who wrote, composed, and arranged the track himself.
CITY: The Animation concluded its 13-episode run in May 2026. The series was directed by Taichi Ishidate and based on Keiichi Arawi's manga. Its production rejected digital effects in favor of hand-drawn animation, background art, and effects, aiming to retrain younger animators in skills that had become less common. The Sakuga Blog described the series as a milestone for the studio, comparable to Liz and the Blue Bird, but noted that its resource-intensive approach is unlikely to be repeated. The finale doubled the usual cut count and ended with a fully original musical number.
In May 2026, Kyoto Animation announced a film adaptation of John Tarachine's manga The Credits Roll Into the Sea, set for a 2027 release. Taichi Ishidate, director of Violet Evergarden and Beyond the Boundary, will direct. The story follows a 65-year-old widow who returns to a movie theater for the first time since her husband's death and bonds with a young film student. The studio also participated in a Suzumiya Haruhi 20th-anniversary collaboration with JR Tokai, running from June 20 to September 23, 2026, which includes an original voice drama written by Nagaru Tanigawa.
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Kyoto Animation's Sparks of Tomorrow, a project shelved after the 2019 arson attack, premieres on Netflix July 5. The first two episodes screened at Anime Expo 2026, followed by a Q&A with director Minoru Ota and producer Satori Senami. The series, set in an alternate-history Meiji-era Kyoto, follows a clumsy girl and an inventor as they navigate a steampunk world on the cusp of an electric age.
Kyoto Animation's upcoming television anime Sparks of Tomorrow will feature opening and ending theme songs by Luna Goami and Ginger Root, respectively, with both tracks set for global digital release in July 2026. The opening theme "Eureka Evrika," performed by Luna Goami, will be released on July 6, one day after the series premiere on July 5. The ending theme "Soarin'," by Ginger Root, will follow on July 13. The series is set in an alternate-history early 20th-century Kyoto where steam power dominates, following a boy fascinated by electricity and a girl carrying her late mother's memory. "Eureka Evrika" was composed by Hitomi Koto, who also handles the series' soundtrack, with lyrics written by Goami. Goami stated she was pregnant during production, which she said added emotional depth to the song's themes of life and rebirth. Ginger Root, the solo project of Cameron Lew, wrote, composed, and arranged "Soarin'" entirely himself. Lew described the project as a dream opportunity as a longtime anime fan. Sparks of Tomorrow will air in Japan and stream globally on Netflix.
CITY: The Animation concluded its 13-episode run with a finale that doubles the usual cut count and ends with a fully original musical number. The series, directed by Taichi Ishidate and based on Keiichi Arawi's manga, was produced by Kyoto Animation over an extended period. The finale was directed by Ishidate and Takuya Yamamura, with three animation supervisors including Tamami Tokuyama, Kayo Hikiyama, and Nobuaki Maruki. The production's philosophy rejected digital effects in favor of hand-drawn animation, background art, and effects, aiming to retrain younger animators in skills that had become less common. Arawi wrote all production credits by hand and was deeply involved in the adaptation, including selecting classical music pieces for episode 12. The Sakuga Blog's analysis describes the series as a milestone for the studio, comparable to Liz and the Blue Bird, but notes that its resource-intensive approach is unlikely to be repeated. Kyoto Animation is expected to announce a new project at an upcoming event, with speculation pointing toward a long-promised adaptation of the novel 20th Century Electricity Catalog.
JR Tokai will run a collaboration campaign with The Melancholy of Suzumiya Haruhi from June 20 to September 23, 2026, celebrating the series' 20th anniversary. The campaign includes a key visual of Haruhi, Mikuru, and Yuki in train worker uniforms, an original voice drama written by Nagaru Tanigawa, quizzes with smartphone wallpaper rewards, and a stamp rally in Nishinomiya.
Kyoto Animation is producing an anime film based on John Tarachine's manga The Credits Roll Into the Sea, with a release set for 2027. Taichi Ishidate, the director of Violet Evergarden and Beyond the Boundary, will helm the project. The announcement arrived with a teaser trailer. The manga ran in Akita Shoten's Mystery Bonita magazine from 2020 through November 2025 and spans eight volumes. Dark Horse Comics publishes the English edition. The story follows Umiko Chino, a 65-year-old widow who returns to a movie theater for the first time since her husband's death. There she meets Kai, a young film student, and the two bond over a shared habit of watching the audience more than the screen. Umiko soon enrolls in the same art school, where she navigates the currents of a much younger generation of filmmakers. The production committee credited is The Credits Roll Into the Sea Production Committee, with copyright held by John Tarachine and Akita Shoten.