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This Monster Wants to Eat Me

The series has been covered by Anime Feminist in a single analytical review, with no further coverage or production announcements in the subsequent weekly round-up.

Synthesized from 2 Yomimono stories · updated Jun 4

Anime Feminist published a review of the yuri horror series This Monster Wants to Eat Me on May 16, 2026. The analysis frames the central monster-girl relationship as a deliberate narrative device for examining trauma, taboo desire, and the nature of consent. The review focuses on the dynamic between Hinako, a grieving teen with passive suicidal ideation, and Shiori, a mermaid who wants to consume her. It argues that Shiori's neutral acknowledgment of Hinako's death wish creates a seed of permission that makes agency over her own life possible.

The series did not appear in the Anime Feminist weekly round-up published on June 4, 2026, which covered other titles such as Vampire Princess Miyu, Please Save My Earth, and BL scholarship announcements. No production updates, release windows, or staff details have been reported in Yomimono coverage. The only published story about the series is the analytical review.

Key facts

Genre classification
Slow-burn yuri horror
Central characters
Hinako, a grieving teen with passive suicidal ideation, and Shiori, a mermaid who wants to consume her
Thematic focus
Questions of agency and consent, and the desire that complicates both
Coverage outlet
Anime Feminist

Timeline

Synthesized by Yomimono from the cited Yomimono stories below, each itself sourced, then editorially reviewed. Every fact links the story it came from.

Facts

Noted
Anime Feminist examines the slow-burn yuri horror This Monster Wants to Eat Me · 2026-05-16

Structured graph also available as JSON at /public/entities/this-monster-wants-to-eat-me. CC BY 4.0.

All coverage

May 16

A Yuri Horror Asks What It Means to Consent to Being Eaten

Anime Feminist examines the slow-burn yuri horror This Monster Wants to Eat Me, arguing that the series uses its supernatural premise to explore questions of agency and consent, and the desire that complicates both. The analysis focuses on the dynamic between Hinako, a grieving teen with passive suicidal ideation, and Shiori, the mermaid who wants to consume her, tracing how Shiori's neutral acknowledgment of Hinako's death wish becomes a seed of permission that makes agency over her own life possible.