Goodbye, Lara Episode 9 Reads Light as a Double-Edged Fairy Tale Force
The review frames episode 9 as an inversion of Andersen's gender roles, with the princess as the aggressor and the prince uninterested, while tying the episode's white birds to the mermaid's transformation into a spirit of the air.
Reporting from 1 source: Anime News Network.
Anime News Network's review of Goodbye, Lara episode 9 reads the episode through Hans Christian Andersen's fairy tales, arguing Lara's light is a two-faced force. The light meant to restore the merfolk is also the fire Kota used to burn down a building to free Lisa. The episode's turning point is an attempted kiss that Luca rejects, inverting the folklore pattern where princesses are the ones kissed without consent. The episode holds a community score of 4.5.
Folklorist Maria Tatar notes that for Andersen, brightness signals imaginative activity, and episode 9 plays on that current. Lara's light is meant to bring back the merfolk, but the same force appears as the fire Kota used to burn down a building to free Lisa.
The turning point is an attempted kiss that Luca rejects, a gender inversion of the folklore pattern where princesses are the ones kissed without consent, tied to Luca and his sibling defying gender norms and to mermaids as trans symbols. The episode also shows at least three shots of exactly six white birds, a nod to Lara and her sisters and to The Wild Swans, and the swan boat links Lara to Lisa, who the review theorizes is Elisa from that tale.
Synthesized by Yomimono from the 1 cited source below, including Japanese-language reporting where cited, then editorially reviewed before publishing.
Sources
- Anime News Network Goodbye, Lara Episode 9