ONLive, which began in San Juan City in 2023 and moved to Quezon City in 2024 before settling at the Bayanihan Center, continues as a physical venue for local VTubers to reach audiences beyond their streams, and the 2026 edition adds new participants to its main stage segments.
The lyric video rollout is building a music catalog for a remake that will not reach most of its platforms until 2027, so Atlus is keeping Persona 4 Revival in circulation well ahead of release.
By removing the dice roll and making each spell serve combat, exploration, and puzzle-solving, Invoke Studios is testing whether D&D's tabletop freedom can hold up in real-time action rather than turn-based rules.
The apparel line arrives while mofusand is being pushed through an anime stream and a separate capsule toy launch, so Uniqlo is betting retail shelf space on a character whose current exposure runs across video and novelty goods at once.
The lineup leans on jewelry that reproduces the Soul Gem and Dark Orb rather than only printed goods, which ties the collaboration to the objects that drive the story's premise.
NanoShinku is spreading a single live across a solo-part relay and an all-member collaboration block, which lets 774 Inc. sell three separate tickets plus a premium tier instead of one show.
The outing is a trade-hall catalog for shelf-ready product, pairing porcelain and life-size centerpieces with preorders rather than a stage announcement.
The twist here is that the hiding is done by hand: the Mimic's disguise is a modeling task with a scoring bonus attached to size and placement, which makes the round a craft problem for one side and a listening problem for the other.
The spin-off is using a television personality turned actress for a small role, which signals the VIVANT brand can draw names beyond its core cast even for a streaming side story.
The live-action suspense game shipped on September 17 with its PC version delayed, so the Tokyo Game Show booth is the first place most players outside the release-day buyers can try the Day 1 PM content and meet one of its supporting characters.
IO Interactive is treating the Switch 2 version as a full production rather than a rushed conversion, using engine work like Meshlets to preserve the game's content on weaker handheld hardware.
CRACK turns idle-game repetition into a workplace sim, and the scale of destruction escalates with the tools, which suggests Rafoli is designing around the joke rather than around a conventional progression curve.
A media mix built around an esports title is presenting its game and its anime as one package, with the anime's battle scenes drawn from game footage and the game's visuals rebuilt before either side launches.
The booth turns the game's premise into a physical space, so the pitch lands before anyone touches a controller, and it puts PLAYISM's marketing behind a Jii-ma project that has no release date tighter than 2027.
A Steam release pairs an adult-oriented character designer and voice actor with a fitness rhythm format and a veteran game music lineup, a combination the outlet treats as unexpected for the platform.
A commercial one-stop AI orchestration offer at one-third to one-half conventional cost, aimed at webtoon adaptations and short-form AI anime, puts the pricing question ahead of the tooling question for production committees comparing AI against hand-drawn pipelines.
With the line-up past two waves and the discount tiers set for younger attendees, the remaining unknown for the Yatomi Sousei Project is how many tickets the third advance sale clears before the fourth round opens October 2.
The wire enclosure is the pivot of the pitch: FairPlay sells a game about denying enemies their turn rather than out-trading them.
Urban Games is trading the previous game's single money objective for eight balanced goal categories and a tutorial-led campaign, a design bet that a management sim can open its early hours to newcomers without trimming the systems core players return for.
Gege Akutami's manga ended in September 2024 and the anime is still running, so the fifth anniversary line sells the characters as everyday wardrobe rather than as a seasonal event.
The trailer's selling point is the same as the production method: unretouched line-art frames are being used as the pitch, and that only reads if the animation itself holds up.
The event shows Hololive's large collaborations moving toward short, team-based formats as individual talent schedules grow harder to align, and it leans on Rosenthal's long association with ARK as the organizing hook.
Tying each chapter to one of the five stages gives the liminal-space format a structural spine, and the RC car opens routes the player character cannot physically take, which is where the puzzles come from.
The chart shows the week's new volume releases dominating Kindle tankobon sales, while a full-set 99-yen sale on Saikyou Densetsu Kurosawa pushes older volumes into the ranking.